Shree Padmanabhaswamy Temple
The Shree Padmanabhaswamy Temple is a Hindu temple located in Thiruvananthapuram, the capital of the state of Kerala, India. It is widely considered as the world’s richest Hindu temple. The name of the city of ‘Thiruvananthapuram’ in Malayalam and Tamil translates to “The City of Ananta” (Ananta being a form of Vishnu).The temple is built in an intricate fusion of the Kerala style and the Dravidian style of architecture, featuring high walls, and a 16th-century gopura.While as per some traditions the Ananthapura temple in Kumbla in Kasaragod district in Kerala is considered as the original spiritual seat of the deity (“Moolasthanam”), architecturally to some extent, the temple is a replica of the Adikesava Perumal temple in Thiruvattar in Kanyakumari district in Tamil Nadu.
The principal deity is Padmanabhaswamy (Vishnu), who is enshrined in the “Anantha Shayana” posture, the eternal yogic sleep on the infinite serpent Adi Shesha. Padmanabhaswamy is the tutelary deity of the Travancore royal family. The titular Maharaja of Travancore, Moolam Thirunal Rama Varma, is the current trustee of the temple.
History
Several extant Hindu texts including the Vishnu Purana, Brahma Purana, Matsya Purana, Varaha Purana, Skanda Purana, Padma Purana, Vayu Purana and Bhagavata Purana mention the Padmanabhaswamy Temple. The Temple has been referred to in the (only recorded) Sangam period literature several times. Many conventional historians and scholars are of the opinion that one of the names that the Temple had, “The Golden Temple”, was in cognisance of the Temple being already unimaginably wealthy by that point (early Sangam period). Many extant pieces of Sangam Tamil literature and poetry as well as later works of the 9th century of Tamil poet–saints like Nammalwar refer to the temple and the city as having walls of pure gold. Both the temple and the entire city are often eulogised as being made of gold, and the temple as heaven.
The temple is one of the 108 principal Divya Desams (“Holy Abodes”) in Vaishnavism according to existing Tamil hymns from the seventh and eighth centuries C.E and is glorified in the Divya Prabandha. The Divya Prabandha glorifies this shrine as being among the 13 Divya Desam in Malai Nadu (corresponding to present-day Kerala with Kanyakumari District). The 8th century Tamil poet Alvar Nammalvar sang the glories of Padmanabha.
It is believed that Parasurama purified and venerated the idol of Sree Padmanabhaswamy in Dvapara Yuga. Parasurama entrusted ‘Kshethra karyam’ (Administration of the Temple) with seven Potti families – Koopakkara Potti, Vanchiyoor Athiyara Potti, Kollur Athiyara Potti, Muttavila Potti, Karuva Potti, Neythasseri Potti and Sreekaryathu Potti. King Adithya Vikrama of Vanchi (Venad) was directed by Parasurama to do ‘Paripalanam’ (Protection) of the Temple. Parasurama gave the Tantram of the Temple to Tharananallur Namboothiripad. This legend is narrated in detail in the Kerala Mahathmyam which forms part of the Brahmanda Puranam.
Another version regarding the consecration of the principal idol of the Temple relates to the legendary sage Vilvamangalathu Swamiyar. Swamiyar, who resided near Ananthapuram Temple in Kasaragod District, prayed to Vishnu for his darshan or “auspicious sight”. The deity is believed to have come in the guise of a little boy who was mischievous. The boy defiled the idol which was kept for puja. The sage became enraged at this and chased away the boy who disappeared before him. Realising the boy was no ordinary mortal, the sage wept for forgiveness and asked for another darshan as a sign. He heard a voice say “If you want to see me come to the Anathavana (the unending forest or Ananthakadu). After a long search, when he was walking on the banks of the Laccadive Sea, he heard a pulaya lady warning her child that she would throw him in Ananthankadu. The moment the Swami heard the word Ananthankadu he was delighted. He proceeded to Ananthankadu based on the directions of the lady of whom he enquired. The sage reached Ananthankadu searching for the boy. There he saw the boy merging into an iluppa tree (Indian butter tree). The tree fell down and became Anantha Sayana Moorti (Vishnu reclining on the celestial snake Anantha). But the edifice that the deity assumed was of an extraordinarily large size, with His head at Thiruvattar near Thuckalay, Tamil Nadu, body or udal at Thiruvananthapuram, and lotus-feet at Thrippadapuram near Kulathoor and Technopark (Thrippappur), making him some eight miles in length. The sage requested the deity to shrink to a smaller proportion that would be thrice the length of his staff. Immediately the deity shrank to the form of the idol that is seen at present in the Temple. But even then many iluppa trees obstructed a complete vision of the deity. The sage saw the deity in three parts – thirumukham, thiruvudal and thrippadam. The swami prayed to Padmanabha to be forgiven. He offered rice kanji and uppumanga (salted mango pieces) in a coconut shell to the Perumal which he obtained from the pulaya woman. The spot where the Sage had darsan of the deity belonged to Koopakkara Potti and Karuva Potti. With the assistance of the reigning King and some Brahmin households a temple was constructed. The Ananthankadu Nagaraja Temple still exists to the northwest of the Padmanabhaswamy Temple. The samadhi (final resting place) of the swamiyar exists to the west of the Padmanabhaswamy Temple. A Krishna temple was built over the samadhi. This temple, known as Vilvamangalam Sri Krishna Swami Temple, belongs to Thrissur Naduvil Madhom.
Mukilan, a Muslim marauder, invaded vast chunks of Venad in 1680 AD.He destroyed Budhapuram Bhaktadasa Perumal Temple owned by Neythasseri Potti. Mukilan had plans to plunder the vaults of Sree Padmanabhaswamy Temple and destroy it. But he was dissuaded from doing so by local Muslims loyal to the royals of Venad. Padmanabhan Thampi, arch rival of Anizhom Thirunal Marthanda Varma, marched to Thiruvananthapuram with his forces and tried to loot the vaults of the Temple. Thampi stayed at Sri Varaham and sent his mercenaries to Sree Padmanabhaswamy Temple. It is said that divine serpents materialised in hundreds and scared away Thampi’s men. Emboldened by this heavenly intervention, Pallichal Pillai and local people opposed Padmanabhan Thampi and ensured that the mercenaries did not proceed with the misadventure.
Travancore royal family
In the first half of the 18th century, in line with matrilineal customs, Anizham Thirunal Marthanda Varma, succeeded his uncle Rama Varma as king at the age of 23. He successfully suppressed the 700-year-old stranglehold of the Ettuveetil Pillamar (“Lords of the Eight Houses”) and his cousins following the discovery of conspiracies which the lords were involved in against the royal house of Travancore (There are various legends and disputes about these mostly apocryphal stories, but overall, he took control and centralised the rule). The last major renovation of the Padmanabhaswamy temple commenced immediately after Anizham Thirunal’s accession to the throne and the idol was reconsecrated in 906 ME (1731 CE). On 17 January 1750, Anizham Thirunal surrendered the Kingdom of Travancore to Padmanabhaswamy, the main deity at the temple, and pledged that he and his descendants would be vassals or agents of the deity who would serve the kingdom as Padmanabha Dasa. Since then, the name of every Travancore king was preceded by the title ‘Sree Padmanabha Dasa’; the female members of the royal family were called ‘Sree Padmanabha Sevinis’ both meaning the servant to Padmanabhaswamy; . The donation of the king to Padmanabhaswamy was known as Thrippadi-danam. The final wishes of Anizham Thirunal on his passing at the age of 53 clearly delineated the historical relationship between the Maharaja and the temple: “That no deviation whatsoever should be made in regard to the dedication of the kingdom to Padmanabhaswamy and that all future territorial acquisitions should be made over to the Devaswom.”
Temple structure
Main shrine
In the Garbhagriha, Padmanabha reclines on the serpent Anantha or Adi Sesha. The serpent has five hoods facing inwards, signifying contemplation. The deity’s right hand is placed over a Shiva lingam. Sridevi-Lakshmi, the Goddess of Prosperity and Bhudevi the Goddess of Earth, two consorts of Vishnu are by his side. Brahma emerges on a lotus, which emanates from the navel of the deity. The deity is made from 12,008 saligramams. These saligrams are from the banks of the Gandaki River in Nepal, and to commemorate this, certain rituals used to be performed at the Pashupatinath Temple. The deity of Padmanabha is covered with, “Katusarkara yogam”, a special ayurvedic mix which is made of 108 natural materials collected from all over India and forms a coat-like protection that keeps the deity clean. The daily worship is with flowers, and for the abhishekam, special deities are used.
The platforms in front of the vimanam and where the deity rests are both carved out of a single massive stone and hence called “Ottakkal-mandapam”. On the orders of Marthanda Varma (1706–58), the Ottakkal-mandapam was cut out of a rock at Thirumala, about 4 miles (6.4 km) north of the temple. It measured 20 square feet (1.9 m2; 190 dm2; 19,000 cm2) in area by 2.5 feet (30 in; 7.6 dm; 76 cm) thick and was placed in front of the deity in the month of Edavom 906 M.E. (1731 CE). At the same time, Marthanda Varma also brought 12,000 shaligrams, aniconic representations of Vishnu, from the Gandaki River, north of Benares (now known as Varanasi) to the temple. These were used in the reconsecration of Padmanabha.
In order to perform darshan and puja, one has to ascend to the mandapam. The deity is visible through three doors – the visage of the reclining Padmanabha and Siva Linga underneath his hand is seen through the first door; Sridevi and Bhrigu Muni in Katusarkara, Brahma seated on a lotus emanating from the deity’s navel, hence the name, “Padmanabha”, gold abhisheka moorthies of Padmanabha, Sridevi and Bhudevi, and silver utsava moorthi of Padmanabha through the second door; the deity’s feet, and Bhudevi and Markandeya Muni in Katusarkara through the third door. The idols of two goddesses holding chamaram, Garuda, Narada, Tumburu, the divine forms of the six weapons of Vishnu, Surya, Chandra, the Saptarshi, Madhu, and Kaitabha are also in the Sanctum. Only the King of Travancore may prostrate on the “Ottakkal Mandapam” It is traditionally held that anybody who prostrates on the mandapam has surrendered all that he possesses to the deity. Since the ruler has already done that, he is permitted to prostrate on this mandapam.
Other shrines
Inside the Temple, there are two other important shrines, Thekkedom and Thiruvambadi, for the Deities, Ugra Narasimha and Krishna Swami respectively.
Centuries back, several families of Vrishni Kshatriyas travelled to the south, carrying with them idols of Balarama and Krishna. When they reached the hallowed land of Sree Padmanabha, they gave the idol of Balarama, also known as Bhaktadasa, to Neythasseri Potti. Neythasseri Potti built a Temple at Budhapuram in the present day Kanyakumari District and had this idol installed there. The Vrishnis gifted the idol of Krishna to Maharaja Udaya Marthanda Varma of Venad. The Maharaja constructed a separate shrine, known as Thiruvambadi, in the premises of Padmanabhaswamy Temple for this idol. The Thiruvambadi shrine enjoys an independent status. Thiruvambadi has its own namaskara mandapam, bali stones and flagmast. The deity of Thiruvambadi is Parthasarathi, the Divine Charioteer of Arjuna, who is the warrior prince and one of the main protagonists that appear in the story of Mahabharata. The two-armed granite idol, with one hand holding the whip and the other resting on the left thigh holding the conch close to it, is in standing posture. On Ekadashi days, the deity is dressed and decorated as Mohini. The Vrishnies who came to Venad and settled there are known as Krishnan Vakakkar as they belong to the lineage of Krishna.
There are also shrines for Rama accompanied by his consort Sita, brother Lakshmana and Hanuman, Vishvaksena (the Nirmalyadhari of Vishnu and Remover of Obstacles), Vyasa and Ashwatthama the Chiranjivis, Ganapati, Sasta, and Kshetrapala (who guards the temple). Grand idols of Garuda and Hanuman stand with folded hands in the Valiya balikkal area. The thevara idols of Chithira Thirunal Balarama Varma and Uthradom Thirunal Marthanda Varma are housed in the south east part of the Temple.
Gopuram
The foundation of the present gopuram was laid in 1566. The temple has a 100-foot (30 m) high 7-tier gopuram built in the Pandyan style. The temple stands by the side of a tank, named Padma Theertham (meaning the lotus spring). The temple has a corridor with 365 and one-quarter sculptured granite-stone pillars with elaborate carvings which stands out to be an ultimate testimonial for the Vishvakarma sthapathis in sculpting this architectural masterpiece. This corridor extends from the eastern side into the sanctum sanctorum. An 80-foot (24 m) flagstaff stands in front of the main entry from the prakaram(closed precincts of a temple). The ground floor under the gopuram (main entrance in the eastern side) is known as the ‘Nataka Sala’ where the famous temple art Kathakali was staged in the night during the ten-day uthsavam (festival) conducted twice a year, during the Malayalam months of Meenam and Thulam.
